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  • Books
    • 1
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      • Sketch of Paris
      • Stonework and Lime Kilns
      • Earth to Sky: Among Africa's Elephants, a Species in Crisis
      • Emmet Gowin
      • The Enclave
      • Bending the Frame: Photojournalism, Documentary, and the Citizen
      • Mexican Portraits
      • Color Rush
      • Monograph
      • Building
      • Petrochemical America
    • 2
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      • Aperture Magazine Anthology: The Minor White Years, 1952–1976
      • 101 Tragedies of Enrique Metinides / Aperture's House Edition
      • Paul Strand: The Garden at Orgeval
      • The Ballad of Sexual Dependency
      • Immediate Family
      • Diane Arbus: An Aperture Monograph / Fortieth-anniversary edition
      • Occupied Territory
      • The Dutch Photobook / A Thematic Selection from 1945 Onwards
      • The Latin American Photobook
    • 3
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      • Diane Arbus: A Chronology
      • Is This Place Great or What
      • The New York Times Magazine
      • Untitled: Diane Arbus / Fortieth-anniversary edition
      • Penelope Umbrico: Photographs
      • Photographic Memory / The Album In The Age Of Photography
      • Fieldwork
      • Kodachromes
      • The Pond
      • Destroy This Memory
      • Explosions, Fires, and Public Order
    • 4
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      • ...all the days and nights
      • Photography After Frank
      • Private Views
      • Car Girls
      • Street Art, Street Life - From the 1950s to Now
      • TinyVices / Allan Macintyre: Recent Events
      • TinyVices / Jason Nocito: Loads
      • TinyVices / Jaimie Warren: Don't You Feel Better
      • Nicaragua
      • Travelers
      • RFK
      • Topologies
    • 5
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      • Strangely Familiar - Acrobats, Athletes, and Other Traveling Troupes
      • Paris New York Shanghai
      • Class Pictures
      • Architecture of Authority
      • Czech Eden
      • Early Recordings
      • New York Rises
      • Lola Alvarez Bravo
      • Setting Sun - Writings by Japanese Photographers
      • Ellis Island Portraits 1905-1920
      • Southwest
    • 6
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      • Notes
      • Diane Arbus: Magazine Work
      • Coming of Age
      • The Last Day of Summer
      • The Edge of Vision - The Rise of Abstraction in Photography
      • City Stages

      Photographs by Hans Eijkelbloom
      Introduction by Martin Parr

      Paris New York Shanghai

      10 1/2 x 8 3/4 inches | 240 pages, 1,256 four-color images | Hardcover | 978-1-59711-044-0 | Fall 2007 | Designed by Francesca Richer and Inger-Lise McMillan
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Dutch conceptual artist Hans Eijkelboom's work is very much in line with the deadpan, seemingly mechanistic note-taking of Ed Ruscha and Hans-Peter Feldman. In Paris—New York—Shanghai, Eijkelboom creates a clever and witty comparative study of three major contemporary metropolises, each selected for having been (or promising to be) the cultural capital of its time—Paris during the nineteenth century; New York, the twentieth; and Shanghai, the twenty-first. This uniquely bound three-volume set unfolds to allow the reader not only to view each city individually, but also to compare simultaneously the three photographic studies of each metropolis and its citizens. Expansive cityscapes detailing the quirks of each city and the snapshot-style grids of their inhabitants soon reveal how similar one city is to another today. As Eijkelboom writes, "Globalization, combined with the desire of cities for visually spectacular elements, is leading to the appearance everywhere of city centers that look the same and where identical products are sold."
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