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      • Sketch of Paris
      • Stonework and Lime Kilns
      • Earth to Sky: Among Africa's Elephants, a Species in Crisis
      • Emmet Gowin
      • The Enclave
      • Bending the Frame: Photojournalism, Documentary, and the Citizen
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    • 2
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      • Aperture Magazine Anthology: The Minor White Years, 1952–1976
      • 101 Tragedies of Enrique Metinides / Aperture's House Edition
      • Paul Strand: The Garden at Orgeval
      • The Ballad of Sexual Dependency
      • Immediate Family
      • Diane Arbus: An Aperture Monograph / Fortieth-anniversary edition
      • Occupied Territory
      • The Dutch Photobook / A Thematic Selection from 1945 Onwards
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      • Diane Arbus: A Chronology
      • Is This Place Great or What
      • The New York Times Magazine
      • Untitled: Diane Arbus / Fortieth-anniversary edition
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      • Destroy This Memory
      • Explosions, Fires, and Public Order
    • 4
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      • ...all the days and nights
      • Photography After Frank
      • Private Views
      • Car Girls
      • Street Art, Street Life - From the 1950s to Now
      • TinyVices / Allan Macintyre: Recent Events
      • TinyVices / Jason Nocito: Loads
      • TinyVices / Jaimie Warren: Don't You Feel Better
      • Nicaragua
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      • RFK
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      • Strangely Familiar - Acrobats, Athletes, and Other Traveling Troupes
      • Paris New York Shanghai
      • Class Pictures
      • Architecture of Authority
      • Czech Eden
      • Early Recordings
      • New York Rises
      • Lola Alvarez Bravo
      • Setting Sun - Writings by Japanese Photographers
      • Ellis Island Portraits 1905-1920
      • Southwest
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      • Notes
      • Diane Arbus: Magazine Work
      • Coming of Age
      • The Last Day of Summer
      • The Edge of Vision - The Rise of Abstraction in Photography
      • City Stages

      Photographs by Doug Dubois
      Introduction by Donald Antrim

      ...all the days and nights

      9 1/2 x 10 1/2 inches | 128 pages, 62 four-color images | Hardcover | 978-1-59711-098-3 | Spring 2009 | Designed by Patricia Fabricant
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Doug DuBois began photographing his family in 1984, prior to his father's near-fatal fall from a commuter train and his mother's subsequent breakdown and hospitalizations. While these events set a narrative backdrop to his work, the emotional freight is carried by the details as described by the artist: "the pallor of my mother's skin, the glare of my father's gaze and the tactile communion between my sister and nephew constitute a complex and resonant picture of family ties."
More than twenty years later, DuBois's project has developed in remarkable ways. Doug DuBois: All the Days and Nights resonates with emotional immediacy, offering a potent examination of family relations, and what it means to subject personal relationships to the unblinking eye of the camera. Each photograph is rich with color, nuanced gestures and glances enveloping the viewer in a multivalent, emotionally tense world.
Doug Dubois (born in Dearborn, Michigan 1960) received his MFA from the San Francisco Art Institute. His work has been exhibited at the Museum of Modern Art, New York; J. Paul Getty Museum, Los Angeles; and Parco Gallery, Tokyo, among other venues, and can be found in the collections of major institutions, including the San Francisco Museum of Modern Art and Victoria and Albert Museum, London. He received the 2006 John Gutman Photography Fellowship, and a 2012 Guggenheim Fellowship. Dubois is represented by Higher Pictures, New York.
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