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    • 1
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      • Sketch of Paris
      • Stonework and Lime Kilns
      • Earth to Sky: Among Africa's Elephants, a Species in Crisis
      • Emmet Gowin
      • The Enclave
      • Bending the Frame: Photojournalism, Documentary, and the Citizen
      • Mexican Portraits
      • Color Rush
      • Monograph
      • Building
      • Petrochemical America
    • 2
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      • Aperture Magazine Anthology: The Minor White Years, 1952–1976
      • 101 Tragedies of Enrique Metinides / Aperture's House Edition
      • Paul Strand: The Garden at Orgeval
      • The Ballad of Sexual Dependency
      • Immediate Family
      • Diane Arbus: An Aperture Monograph / Fortieth-anniversary edition
      • Occupied Territory
      • The Dutch Photobook / A Thematic Selection from 1945 Onwards
      • The Latin American Photobook
    • 3
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      • Diane Arbus: A Chronology
      • Is This Place Great or What
      • The New York Times Magazine
      • Untitled: Diane Arbus / Fortieth-anniversary edition
      • Penelope Umbrico: Photographs
      • Photographic Memory / The Album In The Age Of Photography
      • Fieldwork
      • Kodachromes
      • The Pond
      • Destroy This Memory
      • Explosions, Fires, and Public Order
    • 4
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      • ...all the days and nights
      • Photography After Frank
      • Private Views
      • Car Girls
      • Street Art, Street Life - From the 1950s to Now
      • TinyVices / Allan Macintyre: Recent Events
      • TinyVices / Jason Nocito: Loads
      • TinyVices / Jaimie Warren: Don't You Feel Better
      • Nicaragua
      • Travelers
      • RFK
      • Topologies
    • 5
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      • Strangely Familiar - Acrobats, Athletes, and Other Traveling Troupes
      • Paris New York Shanghai
      • Class Pictures
      • Architecture of Authority
      • Czech Eden
      • Early Recordings
      • New York Rises
      • Lola Alvarez Bravo
      • Setting Sun - Writings by Japanese Photographers
      • Ellis Island Portraits 1905-1920
      • Southwest
    • 6
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      • Notes
      • Diane Arbus: Magazine Work
      • Coming of Age
      • The Last Day of Summer
      • The Edge of Vision - The Rise of Abstraction in Photography
      • City Stages

      Photographs by Jaqueline Hassink

      Car Girls

      11 x 13 3/4 inches | 184 pages, Ca. 350 four-color image | Hardcover | 978-1-59711-097-6 | Spring 2009 | Designed by Irma Boom Office
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Dutch artist Jacqueline Hassink has received critical acclaim for her books and exhibitions that deal conceptually with issues of power and social relations. Car Girls is a body of work that Hassink has created over five years, photographing major car shows in seven different cities on three continents. As she describes it, she has used these sites to reflect on "differing cultural values with regard to their ideal images of beauty and women. The series captures the moments during the women's performances when they become more like dolls or tools than individuals." In an issue of Aperture magazine, Francine Prose praised the work for its ability to "make us rethink the association between auto and eros as if it had never occurred to us, and to see it newly in all its sheer outrageous strangeness." Car Girls takes a subversively fun yet conceptually astute approach to issues of gender, power, and commodification. This luxuriously produced publication is designed by award-winning designer Irma Boom, and is limited to an edition of 1,500 copies.
Jacqueline Hassink (born in Enschede, the Netherlands, 1966) books include The Table of Power (1996), Mindscapes (2003), The Power Book (2007), and Tables of Power Vol. II (2011). Her photographs have been shown worldwide, and are in the collections of the Huis Marseille, Amsterdam, and the Victoria and Albert Museum, London, among other institutions. A visiting professor in the postgraduate photography program at the University of Art and Design, Helsinki, and the Visual and Environmental Studies program at Harvard, she is represented by Cohen Amador Gallery, New York.
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