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      • NAZRAELI PRESS

      • I HEAR THE LEAVES AND LOVE THE LIGHT
      • A PORTRAIT IN LANDSCAPES
      • PINE VALLEY
      • PRAYERS IN AN AMERICAN CHURCH
      • NAKSAN
      • ONE TREE
      • TWENTY PARACHUTES
      • WITNESS NUMBER 6
      • EMPIRE
      • ATMOS
      • ZECHE WESTFAHLEN I/II AHLEN
      • A ROAD DIVIDED
      • BETWEEN THE TWO
      • EXCERPTS FROM SILVER MEADOWS
    • 2
      • NAZRAELI PRESS

      • MONT ST MICHEL
      • VENEZIA
      • FUN AND GAMES
      • ELEGIES OF MANUMISSION
      • GRASSLANDS
      • PICTORIAL ZOOLOGY
      • CONEY ISLAND
      • THE LOVES OF THE POETS
      • FLOWERS
      • WITNESS NUMBER 5
      • WITNESS NUMBER 4
      • ACID BLOOM
      • PAUL OUTERBRIDGE: NEW COLOR PHOTOGRAPHS
    • 3
      • NAZRAELI PRESS

      • PULP ART BOOK: VOLUME TWO
      • ESSEX COUNTY
      • IPY
      • COLLECTIONS 92-06
      • ATELIER OF CÉZANNE
      • PROOF
      • ANRAKUJI
      • BETWEEN MAPLE AND CHESTNUT
      • A NATURAL ORDER
      • WINTER
      • NEW YORK, N. WHY? (PHOTOGRAPHS 1937-1940)
      • BETWEEN VISIBLE

      EMI ANRAKUJI

      ANRAKUJI

      Hardcover | 9 3/4 x 6 5/8 | 60 pages | 53 four-color plate |
      ISBN: 978-1-59005-167-2
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Emi Anrakuji’s unsettling self-portraits and other subjects have earned her a growing recognition in her home country, and we are pleased to present her first monograph to be published outside of Japan. The artist represents herself as an alchemist of images and a catalyst for daydreams and desires. The vignettes of jigsaw puzzle-like shots of herself and others blur the boundaries between documentary and staged photography. Posing naked, clothed, or partially dressed, Anrakuji takes a uniquely obsessive interest in her own body. Her legs, arms, hands, toes, lips and hair create arresting compositions and erotic ambiance. When she focuses on the opposite sex, it results in equally surprising elaborations on the male anatomy.
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