logo

  • Books
    • 1
      • Roma Publications

      • Ruth on the Phone
      • A Dutch Landscape - Un Paisaje Holandes
      • LES ETUDES D'OMBRES
      • SPOTS OF TIME
      • THE PICTURESQUE
      • MONTURIOL UPDATED - WE MADE IT OUR DREAM TO MOVE ON
      • PIETER VERMEERSCH BE-PART (WAREGEM 2011)
      • THE OBJECT OF CRITICISM
      • IN DEED: CERTIFICATES OF AUTHENTICITY IN ART
      • DIRK BRAECKMAN
      • REISSUE
    • 2
      • Roma Publications

      • CARRARA
      • SURFACE SERIES
      • SET AMSTERDAM
      • CITY PEOPLE
      • PORTRAITS
      • THE MAN WHO NEVER EXPERIENCED ANYTHING
      • SECHSUNDZWANZIG WIENER TANKSTELLEN
      • ON THE SELF-REFLEXIVE PAGE
      • SUPERQUADRA
      • PLANS D'EVASION
      • IN DARK TREES
      • CAST (PART 2)
      • EXTENDED CAPTION (DDDG)
    • 3
      • Roma Publications

      • HEEL ANDER BLAD
      • ONE TIME ONE MILLION (Migratory Birds / Romantic Capitalism)
      • PLATEAU
      • CHINA/S75
      • PSYCHOSCOPE
      • THAT'S PAINTING
      • INTIMATE RELATIONS
      • CAST (PART 4)
      • FULL GROWN MAN
      • SUGGESTED TAXATION SCHEME
      • GHENT / LISBON / PORTO DRAWINGS
      • SURPLUS
      • SEQUENT
    • 4
      • Roma Publications

      • MIQUEL MONT
      • STORAGE AND DISPLAY: MEXICO CITY
      • IN OTHER WORDS
      • Looking for a Beautiful Place
      • Beauty Unrealized
      • COMPOST INDEX
      • THE ANALOGY OF THE EYE
      • ASHES AND BROKEN BRICKWORK OF A LOGICAL THEORY

      LOUIS LUETHI

      ON THE SELF-REFLEXIVE PAGE

      2010 | English | 13 x 20 cm | 160 p, ills bw | softcover
      more detail

  • Publisher Information
  • Archive
  • About
  • Contact

The subject of this book is the page, and the pages reproduced in it are taken from works of literature (or, in some cases, art books that derive specifically from literature). Naturally, it would have been possible to classify these pages differently: in chronological order, for example, in alphabetical order according to author or title, in numerical order according to page number. Lüthi chose to present them thematically, resulting in a typology of self-reflexive pages: Black Pages, Blank Pages, Drawing Pages, Photography Pages, Text Pages, Number Pages, and Punctuation Pages.

本書のテーマは「ページ」で、文学作品(もしくは文学から派生したアートブック)から引用したページが続く。これらの引用ページの構成方法として、年代順、作者やタイトルのアルファベット順、ページ番号順など様々な方法があると思うが、ここではテーマによって並べており、結果的に著者の作家性を反映するようなページ構成(self-reflexive pages):黒いページ、何も書かれていないページ、絵が描かれているページ、写真のページ、文章または数字が書かれているページ、句読点だけのページなど、のタイポロジー的まとめ方になっている。
close