logo

  • Books
    • 1
      • Book Works

      • Vox Populi, London
      • Cover Version
      • We are behind
      • Faker Drinker Soldier Heiress
      • Vox Populi, Switzerland
      • Auras and Levitations (Second Edition)
      • The Happy Hypocrite – A Rather Large Weapon, issue 4
      • Kidnapping Mountains
      • Teignmouth Electron
      • Strategic Questions #2: Has Man a Function in Universe?
      • ERR (Eighth Edition, 2008)
      • Feature: Reconstruction
      • Proximity Machine
    • 2
      • Book Works

      • Vox Populi, Tokyo
      • Letters 2004–2006: Confirmation That You still Exist; I Respect Your Authority; When Will It End; One London
      • Alien Invaders: A Guide to Non-Native Species of the Britisher Isles (Volume 1)
      • Ice Blink: An Antartic Essay
      • Vox Populi, Norway
      • Vox Populi, Sydney
      • Folk Archive: Contemporary Popular Art from the UK
      • Lost in Space
      • Head in the Railings
      • Remixed Water
      • Urban / Wild
    • 3
      • Book Works

      • Why and Why Not
      • I Know Where I'm Going: A Guide to Morecambe & Heysham
      • Magazine
      • Frances Stark: Collected Writing 1993−2003
      • Auto Roto Font
      • Trying to get in between
      • Active Genital
      • Ott's Sneeze
      • Spring Snow − A Translation
      • Progressive Disorder
      • Of Lives Between Lines
      • Mobile Vulgus
      • Material: Public Works − The Bridge 2000
      • Meeting #13
    • 4
      • Book Works

      • After the Freud Museum (Paperback Edition)
      • First I was afraid, I was petrified
      • The Contemporary Picturesque
      • The Uses of Literacy
      • A Case of Hysteria
      • Seven Wonders of the World
      • Smash This Puny Existence
      • The Palaver
      • Marx Angels
      • Library Relocations
      • Diary of a Steak
      • small Gold Medal
      • Book Works: A Partial History and Sourcebook
    • 5
      • Book Works

      • The Blindings
      • Rex Reason
      • Two Oxford Reading Rooms (Special Edition)
      • The Price of Words, Places to Remember 1−26
      • Notable Days
      • A Public Intimacy (A Life Through Scrapbooks)
      • What's My Name?
      • A Stellar Key to The Summerland

      Brian Catling

      The Blindings

      104 pages | Black & white | 156 x 200 mm, Soft cover | 1995 | Edition of 1,000 copies
      more detail

  • Publisher Information
  • Archive
  • About
  • Contact

‘These texts are lunges to capture handfuls of another time and place while passing through it in the curious guise of a witness to my own crimes.’

‘Looking and writing on the slippery stage of memory is as uncomfortable as it is mysterious, especially when chronicling one's own works.’ – Brian Catling

The Blindings is a description of a group of works and performances made between spring 1993 and winter 1994, revisiting them after the event in order to reconfigure them for the printed page as a modulated sequence of handwriting, description and print.

The texts for The Blindings are handwritten: each of which contains a pronouncement that a fluid, gas, suspension or extract has been injected into the eye; manipulated photographs are used to corroborate the truth of this fiction. A solid sans-serif type is used for the sections of the books that were actually spoken whilst a lighter serif is used to describe the performances and the intentions behind them.


本書[The Blindings]は、1993年の春と1994年の冬に行われたグループパフォーマンスの叙述になっている。テキストは手書きで、液体/気体/懸濁液/抽出物などが目に注入されることを表明した文章になっており、挿入された写真はこのフィクションが真実であることを強調する役割を担っている。
close